The American Civil War - Second Battle of Fort Wagner


Overview
The Second Battle of Fort Wagner, also known as the Second Assault on Morris Island or the Battle of Fort Wagner, Morris Island, was fought on July 18, 1863, during the American Civil War. Union Army troops commanded by Brig. Gen. Quincy Gillmore launched an unsuccessful assault on the Confederate fortress of Fort Wagner, which protected Morris Island, south of Charleston Harbor. The battle came one week after the First Battle of Fort Wagner. Although a Confederate victory, the valor of the Black Union soldiers in the battle was hailed, which had long-term strategic benefits in encouraging more African-Americans to enlist allowing the Union to employ a manpower resource that the Confederacy could not emulate for the remainder of the war.
Fort Wagner, or Battery Wagner as it was known to the Confederates, controlled the southern approaches to Charleston Harbor. It was commanded by Brigadier General William B. Taliaferro. An attempt was made on July 11 to assault the fort, the First Battle of Fort Wagner, but it was repulsed with heavy losses to the attackers because of artillery and musket fire. Brig. Gen. Quincy Gillmore intended to repeat his assault, but first executed feints to distract the Confederates' attention, the Battle of Grimball's Landing on July 16. Gillmore also ordered an artillery bombardment of the fort. The fort was on a very narrow island so the Union could only assault the fort with one regiment at a time.
The approach to the fort was constricted to a strip of beach 60 yards (55 m) wide with the ocean to the east and the marsh from Vincent's (now Bass) Creek to the west. Upon rounding this defile, the Union Army was presented with the 250-yard south face of Fort Wagner, which stretched from Vincent's creek to the sea. Surrounding the fort was a shallow moat riveted with sharpened palmetto logs, an abatis, and the moat on the seaward side had planks with spikes positioned beneath the water. The armament of Fort Wagner on the night of July 18 consisted of one 10-inch seacoast mortar, two 32 lb. carronades, two 8-inch shell guns, two 32 lb. howitzers, a 42 lb. carronade, and an 8-inch seacoast mortar on the land face. Company A of the 1st South Carolina Artillery also had two guns positioned outside of Wagner's southern face by Vincent's creek to provide enfilading fire. The sea face of Wagner was armed with one 32 lb. carronade, one 10-inch Columbiad, and two 12 lb. howitzers. The garrison of Battery Wagner consisted of the 1st South Carolina Artillery, the Charleston Battalion, the 31st North Carolina, and the 51st North Carolina.
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The Film - Glory (1989)
The title of the film recalls the "glory" for which the July 28, 1863, edition of the weekly Columbus Enquirer reported that First-Sergeant Robert John Simmons, mortally wounded at Battery Wagner, came to fight (Simmons himself wrote, in an account of the Battle of Grimball's Landing that was published in the New York Tribune on December 23, 1863: "God has protected me through this, my first fiery, leaden trial, and I do give Him the glory").Kevin Jarre's inspiration for writing the film came from viewing the monument to Colonel Shaw and the 54th Massachusetts Volunteer Infantry in Boston Common.The 54th was the first formal unit of the Union Army to be made up entirely of African-American enlisted men; all of the officers were white men. His screenplay was based on two books, Lincoln Kirstein's Lay This Laurel (1973) and Peter Burchard's One Gallant Rush (1965), and the personal letters of Robert Gould Shaw.
Exterior filming took place primarily in Massachusetts and Georgia. Opening passages, meant to portray the Battle of Antietam, show volunteer military reenactors filmed at a major engagement at the Gettysburg battlefield. Zwick did not want to turn Glory "into a black story with a more commercially convenient white hero". Actor Morgan Freeman noted: "We didn't want this film to fall under that shadow. This is a picture about the 54th Regiment, not Colonel Shaw, but at the same time the two are inseparable". Zwick hired the writer Shelby Foote as a technical adviser, who later became widely known for his contributions to Ken Burns' PBS nine-episode documentary, The Civil War (1990).
Glory was the first major motion picture to tell the story of black U.S. soldiers fighting for their freedom from slavery during the Civil War. The 1965 James Stewart film Shenandoah also depicted black soldiers fighting for the Union, but the script suggested the Union army at that time was integrated.


